Subtle, low-key colour that hints at its origins, and a minimal quality that on close inspection reveals numerous intricacies of line and surface, characterise these vessels.
Victoria Meadows begins by moulding a coil pot; drawing particular attention to how her hands can manipulate the clay. After careful sculpting to an almost ultra-smooth finish, the only trace of human presence she deliberately leaves behind, are the hints of thumb print marks and the calculated eroded edges. Following this initial working stage, an ultra-fine slip; Terra Sigilatta is applied prior to a biscuit firing.
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