An elected member of The Pastel Society, experience of place is central to Martin Goold’s artistic activity.
Donna Goold’s paintings are really about colour; even the most subtle shade is treasured and captured.
The vast expansive landscape of the North of England has captivated and inspired Paul Denham.
Animated brushwork, flowing surfaces of paint, and drawn line that inscribes the surface characterize the evocative landscapes of Kathy Little.
Alive with a dynamic expressive energy, the landscapes of The President of The Pastel Society, Jeannette Hayes, resonate with a liberated optimistic creativity.
Dynamic landscapes constructed out of blocks of colour, numerous gestures, accents and modulations; these are the means by which Heather Duncan expresses a highly personal view of her environment.
Edward Kelly’s powerfully expressive paintings composed of rhythmic marks and emblems reflect his long standing engagement with the relationship between the elemental force of nature and the dynamic of abstract painting.
Animated dynamic energy fills the sumptuous paintings of Welsh artist Elfyn Lewis. These captivating painted surfaces in strong atmospheric colour, tonal variation and emphatic gesture contain a multitude of textures, sweeps, ripples, edges and colour screens.
Robert Hewer’s work predominantly focuses on the face and human figure, using their physical structures as a vehicle for exploration into creating form and shape with paint.
Beautiful yet mysterious landscapes suspended in glass as a memory of place held in time forever.
Behind the physicality of Sophie Capron’s highly textured paintings, richly made up of layers and painterly marks, there lies a fascination with the constantly evolving impact of human presence on the environment.
Suchi Chidambaram paints dynamic urban landscapes that express the energy, motion and vibrancy of cities that she has a close association with.
The viewer senses immediately when in the presence of a painting by Rebecca Fontaine-Wolf that some profound questioning is taking place about what it is to be this woman and to live as a woman at this moment in time.
Amy Albright has developed a visual language that alludes to the interconnecting natural forms and patterns that surround us.
Quietly and with a sense of mystery, the finely crafted surfaces of Victoria Meadow’s ceramics reveal their reference to the landscape.
On first observing the exquisite sculptures by Louise Plant, it is easy to become captivated with their flawless surface and impeccable accuracy of form.