‘Distant Shores’ Martin Goold Solo Exhibition 29th June – 23rd July 2021

‘Crimson Sky Alcazaba’ Acrylic on Canvas, 110x100cm

‘Distant Shores’ Martin Goold Solo Exhibition 29th June – 23rd July 2021

Exhibition introduction by Martin Goold

Memory has played a significant part in the making of the new paintings for this exhibition.

2020 brought some changes to my working pattern and the thinking behind it, not least the restrictions to travel changed the way I gather references and inspiration. In this altered and very strange environment I found myself returning to old sketchbooks and travel notebooks; these records of places visited back through years have presented a new direction for work. The veil of time changes things and what is remembered can become quite subjective and personalised.

One sketchbook from around 35years ago has drawings made in Heraklion, being there is a distant but evocative memory and the painting that has emerged from looking at these sketches: ‘Sea Fortress’, is airy, vaporous and light-filled. Other paintings in the exhibition such as ‘Castello Scaligero’ and ‘Dark Orange Riva Gateway’ come out of travel sketchbooks from The Veneto where I have been visiting for over 25years; colour sets a transmuted atmosphere in these paintings and omissions and divergences openly play with the process of remembering.

Closer to home the drawings ‘Full Moon Cobb’ and ‘Cobb Moon’ look out to a moonlit sea from Lyme, leaving a familiar home to make an imaginary crossing by the mysterious light of the moon. The large canvas ‘Distant Shore’ is also about the anticipation and allure of a voyage.

The dialogue between measured graphic techniques and expressive gesture is an ongoing interest, but there is also a greater place for ambiguity and elusive contradiction in these paintings, most notably in ‘Crimson Sky Alcazaba’where spatial overlapping leads to puzzles about what is in front and what is receding.

Abstraction involving leaving out details and making alterations and accentuations allows for a liberated and expressive handling of the subject matter; it is the form I have chosen to express the idea of journeys into memory.

‘La Rocca’ by Martin Goold. Acrylic on canvas. 90cm x 100cm

2. Dark Orange Riva Gate. Acrylic on Canvas, 110x90cm. copy

‘Dark Orange Riva Gateway’ by Martin Goold. Acrylic on Canvas, 110x90cm.

5. Sea Fortress. Acrylic on Canvas, 90 x120cm. copy

‘Sea Fortress’ by Martin Goold. Acrylic on Canvas, 90 x120cm.

8. Full Moon Cobb. Coloured Pencil, 46x60cm. copy

‘Full Moon Cobb’ by Martin Goold. Coloured Pencil, 46x60cm in a 69cm x 83cm frame

10. Sanguine and Ruby Fading. Coloured pencil, 50x50cm. copy

‘Sanguine and Ruby Fading’ by Martin Goold. Coloured pencil, 50x50cm in a 73cm x 73cm frame

11. Lyme Harbour I. Coloured pencil, 30x40cm. copy

‘Lyme Harbour I’ by Martin Goold. Coloured pencil, 30x40cm in a 53cm x 63cm frame

14. Night Garden. Pastel, 38 x 38cm. copy

‘Night Garden’ by Martin Goold. Pastel, 38 x 38cm in a 66cm x 66cm frame

3. Castello Scaligero. Acrylic on canvas, 90x90cm. copy

‘Castello Scaligero’ by Martin Goold.                   Acrylic on canvas, 90x90cm.

6. Distant Shore, Acrylic on canvas, 102x157cm. copy

‘Distant Shore’ by Martin Goold, Acrylic on canvas, 102x157cm.

9. Cobb Moon. Coloured Pencil, 30x40cm. copy

‘Cobb Moon’ by Martin Goold. Coloured Pencil, 30x40cm in a 53cm x 63cm frame

13. Saddle Tor. Coloured pencil, 40x40cm. copy

‘Saddle Tor’ by Martin Goold. Coloured pencil, 40x40cm in a 63cm x 63cm frame

12. Cannington Viaduct II. Coloured Pencil, 30x40cm. copy

‘Cannington Viaduct II’ by Martin Goold. Coloured Pencil, 30x40cm in a 53cm x 63cm frame

15. Verona Skyline. Pastel, 45x56cm. copy

‘Verona Skyline’ by Martin Goold. Pastel, 45x56cm in a 66cm x 86cm frame